The Revivalists

Music Farm Productions Present

The Revivalists

Stop Light Observations

Mon, October 31, 2016

Doors: 8:00 pm / Show: 9:00 pm

Music Farm Charleston

Charleston, SC

$20.00 - $25.00

Sold Out

This event is 16 and over

SOLD OUT * $3 Surcharge for under 21. Cash Only.

The Revivalists
The Revivalists
Since forming in 2007, The Revivalists have rightfully earned their reputation as the next breakout band from the music capital of New Orleans. The group's blend of soulful, syncopated rock and earnest songwriting comes to life through a meticulously crafted and ever-evolving live performance. In 2011 they were named Best Emerging Artist at Gambit Magazine's Big Easy Awards, and were nominated for Best Rock Act in 2012.

With the seed being planted during jam sessions at Tipitina's Sunday Music Workshops, where drummer Andrew Campanelli and guitarist Zack Feinberg first met, the band found its frontman by pure luck when Feinberg heard David Shaw singing on his Birch Street porch. Fueling the rhythm section, Campanelli's college friend, George Gekas, became the bassist. Feinberg later invited saxophonist Rob Ingraham, the two realizing their incontestable dynamic while taking music classes at Tulane University. After a fortuitous meeting at French Quarter Fest, Ed Williams joined on the pedal steel guitar. The newest addition to The Revivalists' cross-generational rocking goodness comes from multi-instrumentalist Michael Girardot. Having played sporadically with the band since 2009, he has grown into an integral part of their live show.

The Revivalists incessantly tour on the national level, often times supporting giants like Rebirth Brass Band and Galactic. They're also proud to have opened for notable acts JJ Grey & Mofro, Dr. John, and Trombone Shorty. Additionally, they have established themselves as an engaging festival act, gaining notoriety at CMJ (NYC), DeLuna Fest (Florida), Voodoo Music Fest (New Orleans), Hangout Music Festival (Gulf Shores, AL), The Kennedy Center Millennium Stage Series (Washington, DC) and the legendary New Orleans Jazz and Heritage Festival. At the latter they grabbed the attention of Rolling Stone Senior Editor, David Fricke, who later called their performance, "a Crescent City-rhythm spin on jam-band jubilee."
Stop Light Observations
Stop Light Observations
STOP LIGHT OBSERVATIONS - VOL. I

John Keith Culbreth (aka Cubby) was 16 years old—no longer the religious child he had been back in his childhood days spent in Anderson, SC—but was, unknowingly, poised for a divine intervention of life-altering proportions. While peacefully sleeping after a classmate's musical performance, an entity presented itself to Cubby—the entity presented itself as God. "It was the most vivid dream I had ever had," says Cubby. "It felt so bizarre." "God" spoke to Cubby. It told him to contact his classmate, Will Blackburn, and come together to create music. Cubby obliged, Blackburn agreed, and the band proceeded to practice for over a year, never playing a show.

Stop Light Observations' inaugural performance took place on Sullivan's Island. Among the crowd was Cubby's childhood pastor—a man with whom he had once had a close relationship. As it turns out, Cubby's former pastor was Will Blackburn's grandfather. Divinity had served up fate. Cubby and Blackburn had been childhood friends, but never knew it. SLO was born, and the sky was the limit.

But things didn't truly take off until a few years later when SLO released their acclaimed 2013 debut, Radiation. Metronome hailed the record's "emotive and elegant" songs, which landed perfectly in the sweet spot between arena and indie rock. The band went from relative unknowns to playing Bonnaroo and selling out Charleston's largest club, The Music Farm, in just a year.

Since then, Stop Light Observations have broken the record for most consecutive sold-out shows at The Music Farm and have toured across the country, playing standout festival sets at Firefly, Summerfest, and more. SLO's most recent LP, Toogoodoo, saw coverage at major national outlets from PBS and Conan O’Brien’s Fresh Noise to Impose, PopMatters and Garden & Gun, the latter praising Toogoodoo as "a promising debut from the band, who have wowed audiences throughout the South.”

Now, following the successful release of Toogoodoo, and an ambitious year on the road in support, Stop Light Observations are poised to tackle their next major endeavor—an ongoing series of digital 45s, each with an A-side and B-side, entitled The Volume, which will disperse the band’s hard-hitting yet melodic songs in a more immediate fashion.

"The Volume is much more than just bypassing the mechanics of an album," Cubby explains. "Its about inspiring ourselves and others with this approach that lends itself to complete creative freedom. The Beatles released 250-plus songs in 7 years without the technology we have today. If they can do it, why can't we?"

At the center of the first volume is Stop Light Observations' new single, "Coyote." It’s a stunning, slow-building piano ballad that evolves strikingly through distinct dynamic phases, vocalist Will Blackburn's effortlessly toggling between a delicate croon and an anthemic howl. With "Coyote," the group distills its already potent arena-ready indie rock all the way through the song's powerful crescendo of an outro.

Thematically, “Coyote” deals with loss—something the entire band has coped with many times over the years. "The situations and emotions behind our songs are extremely personal," SLO guitarist Louis Duffie explains.

Cubby adds, "When I was 15, I started dating my childhood sweetheart—who is now my wife—and after our first year of dating we received the earth-shattering news that her best friend, Lizzy, had committed suicide. She was the sweetest, happiest, and kindest girl in our entire high school and to believe she would take her own life was unfathomable. 'Coyote' is that story for me—the story of the pack animal, still feeling alone despite its family joining in its howls of pain. It is the girl with the bright smile taking her life—the fallen angel. It's the first time you meet up with all your friends and that person you all loved so much isn't there."

The first installment from The Volume also offers up "The Ghost of Larry Ford Jr.," an instrumental track that tackles the next step of loss: the frustration, anger and anxiety of letting go, all seamlessly communicated sans lyrics. The stylized, labyrinthine track sounds like a Wes Anderson films looks, along the way deftly mapping the chaotic trajectory of a mind in mourning.

Stop Light Observations may be blazing their own trails, but they want everyone to join them on their journey—fans, friends and family, past and present. "The Volume releases will ultimately be defined as a series—a voice for the voiceless. A podium for those who have yearned for the opportunity to share their own stories of struggle, passion, and love," vocalist Will Blackburn explains.

"We live in an era of polar divisions perpetuated by fear," Blackburn continues. "And the divide seems to be growing exponentially. But if we turn off the cable news channel and walk out our front doors and speak to our neighbors, we may find that our struggles, while they vary, are often quite relatable. It is my hope that trough this style of releasing music that we may open up the conversations that need to be addressed most in today's America. All are equal and all opinions should be heard with hopes of perpetuating peace and understanding. Love is the way and this is the path we have chosen to move forward."
Venue Information:
Music Farm Charleston
32 Ann St.
Charleston, SC, 29403
http://www.musicfarm.com/