Stop Light Observations -- Night #2

Music Farm Productions Present

Stop Light Observations -- Night #2

Stokeswood, Stoop Kids

Sat, February 18, 2017

Doors: 8:00 pm / Show: 9:00 pm

Music Farm Charleston

Charleston, SC

$15.00 - $18.00

This event is 16 and over

$3 Surcharge at the door for those under 21. Cash only.

Stop Light Observations
Stop Light Observations
STOP LIGHT OBSERVATIONS - VOL. I

John Keith Culbreth (aka Cubby) was 16 years old—no longer the religious child he had been back in his childhood days spent in Anderson, SC—but was, unknowingly, poised for a divine intervention of life-altering proportions. While peacefully sleeping after a classmate's musical performance, an entity presented itself to Cubby—the entity presented itself as God. "It was the most vivid dream I had ever had," says Cubby. "It felt so bizarre." "God" spoke to Cubby. It told him to contact his classmate, Will Blackburn, and come together to create music. Cubby obliged, Blackburn agreed, and the band proceeded to practice for over a year, never playing a show.

Stop Light Observations' inaugural performance took place on Sullivan's Island. Among the crowd was Cubby's childhood pastor—a man with whom he had once had a close relationship. As it turns out, Cubby's former pastor was Will Blackburn's grandfather. Divinity had served up fate. Cubby and Blackburn had been childhood friends, but never knew it. SLO was born, and the sky was the limit.

But things didn't truly take off until a few years later when SLO released their acclaimed 2013 debut, Radiation. Metronome hailed the record's "emotive and elegant" songs, which landed perfectly in the sweet spot between arena and indie rock. The band went from relative unknowns to playing Bonnaroo and selling out Charleston's largest club, The Music Farm, in just a year.

Since then, Stop Light Observations have broken the record for most consecutive sold-out shows at The Music Farm and have toured across the country, playing standout festival sets at Firefly, Summerfest, and more. SLO's most recent LP, Toogoodoo, saw coverage at major national outlets from PBS and Conan O’Brien’s Fresh Noise to Impose, PopMatters and Garden & Gun, the latter praising Toogoodoo as "a promising debut from the band, who have wowed audiences throughout the South.”

Now, following the successful release of Toogoodoo, and an ambitious year on the road in support, Stop Light Observations are poised to tackle their next major endeavor—an ongoing series of digital 45s, each with an A-side and B-side, entitled The Volume, which will disperse the band’s hard-hitting yet melodic songs in a more immediate fashion.

"The Volume is much more than just bypassing the mechanics of an album," Cubby explains. "Its about inspiring ourselves and others with this approach that lends itself to complete creative freedom. The Beatles released 250-plus songs in 7 years without the technology we have today. If they can do it, why can't we?"

At the center of the first volume is Stop Light Observations' new single, "Coyote." It’s a stunning, slow-building piano ballad that evolves strikingly through distinct dynamic phases, vocalist Will Blackburn's effortlessly toggling between a delicate croon and an anthemic howl. With "Coyote," the group distills its already potent arena-ready indie rock all the way through the song's powerful crescendo of an outro.

Thematically, “Coyote” deals with loss—something the entire band has coped with many times over the years. "The situations and emotions behind our songs are extremely personal," SLO guitarist Louis Duffie explains.

Cubby adds, "When I was 15, I started dating my childhood sweetheart—who is now my wife—and after our first year of dating we received the earth-shattering news that her best friend, Lizzy, had committed suicide. She was the sweetest, happiest, and kindest girl in our entire high school and to believe she would take her own life was unfathomable. 'Coyote' is that story for me—the story of the pack animal, still feeling alone despite its family joining in its howls of pain. It is the girl with the bright smile taking her life—the fallen angel. It's the first time you meet up with all your friends and that person you all loved so much isn't there."

The first installment from The Volume also offers up "The Ghost of Larry Ford Jr.," an instrumental track that tackles the next step of loss: the frustration, anger and anxiety of letting go, all seamlessly communicated sans lyrics. The stylized, labyrinthine track sounds like a Wes Anderson films looks, along the way deftly mapping the chaotic trajectory of a mind in mourning.

Stop Light Observations may be blazing their own trails, but they want everyone to join them on their journey—fans, friends and family, past and present. "The Volume releases will ultimately be defined as a series—a voice for the voiceless. A podium for those who have yearned for the opportunity to share their own stories of struggle, passion, and love," vocalist Will Blackburn explains.

"We live in an era of polar divisions perpetuated by fear," Blackburn continues. "And the divide seems to be growing exponentially. But if we turn off the cable news channel and walk out our front doors and speak to our neighbors, we may find that our struggles, while they vary, are often quite relatable. It is my hope that trough this style of releasing music that we may open up the conversations that need to be addressed most in today's America. All are equal and all opinions should be heard with hopes of perpetuating peace and understanding. Love is the way and this is the path we have chosen to move forward."
Stokeswood
Stokeswood
Atlanta-based pop band Stokeswood formed in 2009 and takes its name from a well-known thoroughfare where founding members Adam Patterson (vocals) and Mark Godwin (lead guitar) once lived in a haunted house. The current lineup also includes Michael Roman (keys), Jon Joiner (drums) and Justin Mullinix (bass and live production).

The musicians are known to switch instruments between songs — one hint as to their eclecticism and energy — and they eschew limits on influences. New EP 2075, the band's most accessible release to date, taps new wave, power-pop and indie rock, and even references Atlanta hip-hop beats. Sounds are expertly layered to maximize textures and sonic impact. These are song that earn their place on the dance floor.

Stokeswood was named Best Local Rock Act by Creative Loafing Atlanta in 2013 & 2014 and Best Local Pop Act in 2015, the publication's voters also voted '2075' Best Local Album 2015 and Best Music Video for "Our Streets." The band has played The Rock Boat, Party in the Park, CounterPoint Music Festival, SweetWater 420 Festival and Wakarusa to name a few and shared stages with artists such as X Ambassadors, Wiz Khalifa, JR JR, Primus, Cage The Elephant, Sister Hazel, MGMT, Girl Talk, Edward Sharp and the Magnetic Zeros, Minus the Bear, Coleman Hell, Michael Franti and Barenaked Ladies.

"Stokeswood is an "electronic wave of pure sweetness… [2075] in all likelihood will have them prepped for EDM festivals galore" - Consequence of Sound

"4 out of 5 stars... The group creates song structures that carry a timeless and ethereal quality, merging electronic dance beats with post-punk synths, crisp rhythms, and vocals that capture a mix of soulful musical stylings from alt/indie rock's past." - Creative Loafing Atlanta

"Atlanta-based band Stokeswood have already grown a devoted following locally thanks to their buoyant electronic pop sound and edgier rock undertones. Now, they're positioning themselves to reach fans beyond the Southeast with forthcoming album 2075" - Paste Magazine

"Combining elements of electronic/dance music with the charged energy of indie rock, 2075 successfully marries together the pop components of 80's bands like Depeche Mode and New Order with bombastic hip-shakers like The Killers, Bastille, The 1975, and Panic! At The Disco." - FuzzyHeadphonez

"Vocalist Adam Patterson is the hypothetical iceberg tip: a cool, confident, Chris Martin type from the Southeastern US that puts comparisons to MGMT in perspective." - Consequence of Sound

Learn more at stokeswoodmusic.com
Stoop Kids
Stoop Kids are a psychedelic jukebox: they write and play inside a melting pot of genres, re-imagining the last 75 years of popular music.

Stoop Kids' sound is an eclectic mix of soul, hip-hop, surf, jazz, and rock with a psychedelic aftertaste. This, combined with their high-energy, theatrical, performances, makes Stoop Kids unique and unpredictable. While based in New Orleans, the band has toured extensively throughout the eastern United States over the past two years and plans to expand upon that. Their sophomore album, Already Out of Time, was described as "a genre-bending masterpiece" and "an essential album of 2015".

The group is fronted by Griffin Dean singing, rapping, dancing, playing guitar, and writing the majority of the music. He is backed by Thomas Eisenhood (Baritone Saxophone, Harmonies), Sam Fruend (Bass, Harmonies), David Paternostro (Keys, Guitar), and Joe Tontillo (Drums). The five-piece band has independently released two albums and self-booked over 200 shows over the three years since their inception.
Venue Information:
Music Farm Charleston
32 Ann St.
Charleston, SC, 29403
http://www.musicfarm.com/