Stop Light Observations -- Night #1

Music Farm Productions Present

Stop Light Observations -- Night #1

Wrenn, SondorBlue

Fri, February 17, 2017

Doors: 8:00 pm / Show: 9:00 pm

Music Farm Charleston

Charleston, SC

$15.00 - $18.00

This event is 16 and over

$3 Surcharge at the door for those under 21. Cash only.

Stop Light Observations
Stop Light Observations
STOP LIGHT OBSERVATIONS - VOL. I

John Keith Culbreth (aka Cubby) was 16 years old—no longer the religious child he had been back in his childhood days spent in Anderson, SC—but was, unknowingly, poised for a divine intervention of life-altering proportions. While peacefully sleeping after a classmate's musical performance, an entity presented itself to Cubby—the entity presented itself as God. "It was the most vivid dream I had ever had," says Cubby. "It felt so bizarre." "God" spoke to Cubby. It told him to contact his classmate, Will Blackburn, and come together to create music. Cubby obliged, Blackburn agreed, and the band proceeded to practice for over a year, never playing a show.

Stop Light Observations' inaugural performance took place on Sullivan's Island. Among the crowd was Cubby's childhood pastor—a man with whom he had once had a close relationship. As it turns out, Cubby's former pastor was Will Blackburn's grandfather. Divinity had served up fate. Cubby and Blackburn had been childhood friends, but never knew it. SLO was born, and the sky was the limit.

But things didn't truly take off until a few years later when SLO released their acclaimed 2013 debut, Radiation. Metronome hailed the record's "emotive and elegant" songs, which landed perfectly in the sweet spot between arena and indie rock. The band went from relative unknowns to playing Bonnaroo and selling out Charleston's largest club, The Music Farm, in just a year.

Since then, Stop Light Observations have broken the record for most consecutive sold-out shows at The Music Farm and have toured across the country, playing standout festival sets at Firefly, Summerfest, and more. SLO's most recent LP, Toogoodoo, saw coverage at major national outlets from PBS and Conan O’Brien’s Fresh Noise to Impose, PopMatters and Garden & Gun, the latter praising Toogoodoo as "a promising debut from the band, who have wowed audiences throughout the South.”

Now, following the successful release of Toogoodoo, and an ambitious year on the road in support, Stop Light Observations are poised to tackle their next major endeavor—an ongoing series of digital 45s, each with an A-side and B-side, entitled The Volume, which will disperse the band’s hard-hitting yet melodic songs in a more immediate fashion.

"The Volume is much more than just bypassing the mechanics of an album," Cubby explains. "Its about inspiring ourselves and others with this approach that lends itself to complete creative freedom. The Beatles released 250-plus songs in 7 years without the technology we have today. If they can do it, why can't we?"

At the center of the first volume is Stop Light Observations' new single, "Coyote." It’s a stunning, slow-building piano ballad that evolves strikingly through distinct dynamic phases, vocalist Will Blackburn's effortlessly toggling between a delicate croon and an anthemic howl. With "Coyote," the group distills its already potent arena-ready indie rock all the way through the song's powerful crescendo of an outro.

Thematically, “Coyote” deals with loss—something the entire band has coped with many times over the years. "The situations and emotions behind our songs are extremely personal," SLO guitarist Louis Duffie explains.

Cubby adds, "When I was 15, I started dating my childhood sweetheart—who is now my wife—and after our first year of dating we received the earth-shattering news that her best friend, Lizzy, had committed suicide. She was the sweetest, happiest, and kindest girl in our entire high school and to believe she would take her own life was unfathomable. 'Coyote' is that story for me—the story of the pack animal, still feeling alone despite its family joining in its howls of pain. It is the girl with the bright smile taking her life—the fallen angel. It's the first time you meet up with all your friends and that person you all loved so much isn't there."

The first installment from The Volume also offers up "The Ghost of Larry Ford Jr.," an instrumental track that tackles the next step of loss: the frustration, anger and anxiety of letting go, all seamlessly communicated sans lyrics. The stylized, labyrinthine track sounds like a Wes Anderson films looks, along the way deftly mapping the chaotic trajectory of a mind in mourning.

Stop Light Observations may be blazing their own trails, but they want everyone to join them on their journey—fans, friends and family, past and present. "The Volume releases will ultimately be defined as a series—a voice for the voiceless. A podium for those who have yearned for the opportunity to share their own stories of struggle, passion, and love," vocalist Will Blackburn explains.

"We live in an era of polar divisions perpetuated by fear," Blackburn continues. "And the divide seems to be growing exponentially. But if we turn off the cable news channel and walk out our front doors and speak to our neighbors, we may find that our struggles, while they vary, are often quite relatable. It is my hope that trough this style of releasing music that we may open up the conversations that need to be addressed most in today's America. All are equal and all opinions should be heard with hopes of perpetuating peace and understanding. Love is the way and this is the path we have chosen to move forward."
Wrenn
Wrenn
Wrenn is the freshest new wellspring of color, fashion, and sound to come out of Athens, Georgia. Her song-craft has the polish and drama of a writer twenty years her senior and she's armed with a voice that can be sultry, lilting, playful, or bold. A visual arts graduate of Georgia University, her immaculate sense for aesthetic is apparent in everything she does from her self-produced artwork and videos to the bubblegum-chic outfits she wears on stage. In the tradition of the Athens music scene, her music can be B-52 quirky, Beatle melodic, yet fresh to the ear. Her performances, nothing less than a star-burst on stage, have attracted a larger and larger following of "Fireflies" (her term of endearment for her devoted and loyal fans).

September of 2014, Wrenn entered Chasepark Transduction Studios in Athens, Georgia with two songs in hand and a simple determination to pursue a career in music. Over the next three weeks, she proceeded to write, record, and produce 10 additional songs in a creative flourish that ultimately led to the release of her ambitious debut CD, Hi. An accomplished photographer, artist, model, and classically trained flutist, Wrenn devoted the next year crafting a sound and look that took her from unknown to headlining act at the historic Georgia Theater in Athens. With her latest release , Apathy and Good Books , Wrenn continues to turn industry heads with her prolific writing, her visual command, and an overwhelmingly joyous presence.

TICKETING & RESERVATION INFO:

Purchasing a General Admission ticket does not guarantee a seat/table.

Table seating is considered General Admission and is reserved on a first-come, first-serve basis. Bar area seating is also first-come, first-serve. Table reservations can be made at venkmans.com (see "Reservations"), or by calling 470-225-6162.

Additional reservations are not required if a booth or banquette has been purchased via Ticketfly.

PLEASE NOTE: If earlier dinner reservations are made, your seats are not guaranteed for the show. For example, you cannot reserve a table at 7:30pm and keep it for a 10:00pm show. The only way to guarantee a seat for the show is to purchase booth or banquette tickets.
SondorBlue
SondorBlue
SondorBlue is an alt-rock four-piece band with three lead singers. Their tight, soaring harmonies might remind you of The Beatles or Crosby, Stills and Nash, but the SondorBlue sound is entirely contemporary. John, Connor and Andrew pass around
the vocals within their emotional and carefully crafted songs and, when they sing together, a magical fourth voice is created that is uniquely SondorBlue.

The members of SondorBlue grew up on Hilton Head where they all played music and excelled in school and sports, particularly baseball. In 2011, Andrew Halley and Connor Hollifield met at a pick-up basketball game on Hilton Head. When they sat down and
talked music after the game, and later that day Connor sent Andrew a YouTube video of him performing an original song. They started playing and writing together, and soon started doing local gigs around the island: vocalist and multi-instrumentalist John
Sheehan joined them a year later. In 2015, as the shows got larger, including season long weekend residencies at various local resorts, Drew Lewis joined them on drums. The band believes that we are all connected and that music is the way to bring people
together in peace and harmony. “Sondor” is a word that describes the unique life story carried in each one of us and, through SondorBlue’s lyrics and music, we can share this connection between us all. 

Go to one of their live shows, and you will feel for yourself the energy between the band and the audience. The band connects with age groups - from small kids, to teenagers, twentysomethings, parents with their kids, and the older generation, everyone is drawn into the SondorBlue experience. SondorBlue played over 70 shows through the summer months of 2016. The band is currently based in Charleston SC, recording their first album, and looking for a record label to call home.
Venue Information:
Music Farm Charleston
32 Ann St.
Charleston, SC, 29403
http://www.musicfarm.com/